MUS 276 - Advanced Studio Techniques II

1. Create a stereo headphone mix using auxiliary sends or aux tracks in the workstation using the patch bay.
2. Set up a surround sound workstation session either using the Yamaha console or in Pro Tools.
3. Demonstrate the correct use of a hardware insert in a Pro Tools session.
4. Demonstrate session automation either using the Yamaha console, or in Pro Tools.
5. Identify the best solution to a problem or issue. 
6. Use creativity and alternative thinking to brainstorm new ideas and possible solutions to problems or issues. 
7. Complete work accurately, with attention to detail. 

I.  Discuss the instruments required to record: drum kit, piano, orchestral string instrument, brass instrument, woodwind instrument, spoken and sung vocal, acoustic guitar. Discuss mic choices and placements for each, and make sure they get a chance to record as many as possible this semester.

II.  Review board /PT obstacle course. Include setting up Inputs and Outputs as well as sends and hardware inserts (i/o) on the D-Command.

III.  Headphone setups from Pro Tools or from Yamaha.

IV.  Yamaha automation driving with SMPTE from a Pro Tools session as master.

V.  Pro Tools surround sound (5.1) setup monitoring through Yamaha (Scene 6)

VI.  Discuss divergence and surround sound panning.

VII.  Setting up Yamaha to perform surround mix, all separate tracks output to Yamaha (Scene 8)

VIII.  Mixing skills – Drumagog operation.

IX.  Mixing skills – key compressing sustaining instruments by the kick and snare to give the drums more punch.

X.  Mixing skills – Insert silence and strip silence.

XI.  Window configuration library.

XII.  DSP Plug-ins vs. Naitive Plug-ins vs. Audiosuite plugin use.

XIII.  Using compression followed by limiting on the stereo mix bus.

XIV.  Mixing – triggering signal generator followed by a gate to add to tom tone.

XV.  Mixing - stereo image width using S1 imager, AIR stereo width or Fairchild 670 Lat/Vert mode.

XVI.  D-Command custom fader modes and operation.

XVII.  Broadcast mix – complex radio spot or audio for video project.

XVIII.  Set up a kik- tunnel for kick drum recording.

XIX.  Final performance review.

Students must satisfactorily complete (73% or better) the mandatory components of this course and a final performance evaluation.
Equivalent Courses:
None

The Grand Rapids Community College Music Department faculty has specified essential abilities critical to the success of students in any GRCC Music Department program. Students must demonstrate these essential abilities and technical standards to succeed in their program of study. Qualified applicants are expected to meet all admission criteria and matriculating students are expected to meet all progression criteria, as well as these essential abilities and technical standards with or without reasonable accommodations.

1. Essential judgment skills to include:
* Time management – Students are expected to schedule no less than two hours each day in applied music private practice. Additional hours of individual practice toward proficiency in piano, aural skills and theoretical concepts will require daily practice.
* Respect for other music majors, faculty and staff – Students are expected to hold all members of the Music Department Community in the highest regard. Music majors are a unique cohort who must rely on the support and cooperation of all other members of the community.
* Creative Problem Solving – Students are expected to resolve issues of practice room and lab scheduling, accompanist rehearsal schedule, additional sectional rehearsals and performances.

2. Essential physical/neurological functions to include: ability to use the senses of seeing, hearing, and touch to make correct judgments regarding performance. Behaviors that demonstrate essential neurological and physical functions include, but are not limited to observation, listening, understanding relationships, writing, and psychomotor abilities consistent with course and program expectations. Specifically this includes:

* Keyboard competency.
* Ability to hear the notes on the page
* Hear, identify, and work conceptually with the elements of music such as rhythm, melody, harmony, structure, timbre, and texture
* Ability to read (musical literacy) at sight with fluency demonstrating both general musicianship and, in the major performance area, a level of skill relevant to undergraduate standards appropriate for the particular concentration.
* An understanding of the common elements and organizational patterns of music and their interaction, the ability to employ this understanding in aural, verbal, and visual analyses, and the ability to take aural dictation.

3. Essential communication skills to include: ability to communicate effectively with fellow students, and all members of the music department. Skills include verbal, written, and nonverbal abilities as well as information technology skills consistent with effective communication. Specifically this would include:
* Knowledge and skills sufficient to work as a leader and in collaboration on matters of musical interpretation and performance.
* Knowledge and skills sufficient to work as a leader and in collaboration on matters of research and class presentation.

4. Essential emotional coping skills: ability to demonstrate the mental health necessary to safely and effectively engage in live musical performance. Specifically this would include:
* Mental and emotional preparation for artistic self-expression in at least one major performance area at a level appropriate for the particular music concentration.
* Mental and emotional stability to demonstrate an ability to perform at a level that is appropriate to performance class or department recital.

5. Essential intellectual/conceptual skills to include: ability to measure, analyze, synthesize, and evaluate competently in the study of music theory, music history and repertory. Specifically, students must demonstrate a basic knowledge of music history and repertories through the present time. Students must also demonstrate a rudimentary capacity to create original or derivative music. This may include but is not limited to:
* An overview understanding of the repertory in their major performance area.
* The creation of original compositions or improvisations and variations or improvisations on existing materials.
* Imitation of musical styles, and manipulating common musical elements in non-traditional ways.
* Growth in artistry, technical skills, collaborative competence and knowledge of repertory through regular ensemble experiences
* Ability to comprehend musical forms, processes, and structures. To use this knowledge and skill in compositional, performance, analytical, scholarly, andragogical and pedagogical applications.
* The ability to place music in historical, cultural, and stylistic contexts.

6. Other essential behavioral attributes: ability to engage in group rehearsals and/or individual and small group practice without demonstrated behaviors of addiction to, abuse of, or dependence on alcohol or other drugs that may impair behavior or judgment. The student must demonstrate responsibility and accountability for actions as a student in the music department and as a developing professional in the music field consistent with accepted standards of practice.

Grand Rapids Community College strives to be more than ADA compliant. We strive to be accessible and welcoming to all students of all abilities. After reviewing the Essential Abilities/Technical Standards for this program; your responsibilities as a student entail determining if you can complete all associated coursework either:
A. With Accommodation. I am otherwise qualified to meet the same academic standards as any other student entering the program. However, based on a medically documented condition or diagnosis, I would qualify for reasonable accommodation under the Americans with Disabilities Act (1990). I will meet with Disability Support Services on campus to arrange those accommodations in an interactive process with the department of music.

B. Without Accommodation. I am able to complete the program without need for reasonable accommodation or modification. In the event my medical documentation reveals otherwise or a condition manifests that would necessitate an accommodation; it is my responsibility to inform a responsible authority figure within the department of music and work with Disability Support Services to see if a reasonable accommodation or modification can be made.
If you have a medically documented condition or diagnosis, please contact the Music office, or contact Disability Support Services (DSS) at disability@grcc.edu or by phone at 616.234.4140 to arrange accommodations through our interactive process.