MUS 113 - Music Theory I Description This course covers the fundamentals of diatonic harmony including pitch, rhythm, melodic and harmonic analysis. This course provides an introduction to voice leading through 16th-century first species counterpoint. Credit Hours: 3 Contact Hours: 3 Prerequisites/Other Requirements: C or Higher in MUS 112 and MUS 120 or 85% Music Theory Pretest (see Music Department to enroll) English Prerequisite(s): None Math Prerequisite(s): None Course Corequisite(s): MUS 115 Academic Program Prerequisite: None Consent to Enroll in Course: No Department Consent Required Dual Enrollment Allowed?: Yes Course Fees: $5.00 Number of Times Course can be taken for credit: 1 Programs Where This Course is a Requirement: Associate of Music, A.M., Music, A.M. (Western Michigan University), Recording Technology, A.M., General Education Requirement: None General Education Learner Outcomes (GELO): NA Course Learning Outcomes: 1. Recognize and notate pitches notated in standard clefs including the use of octave designations.
2. Recognize and notate all diatonic and chromatic intervals.
3. Recognize and notate rythmic concepts within the context of metrical division.
4. Notate diatonic major scales and the three forms of minor scales with and without the use of their associated key signatures.
5. Practice chromatic transposition and demonstrate the use of transposition in standard score reading.
6. Explain the meaning and use of enharmonic intervals.
7. Recognize and build all diatonic triads and the augmented triad in root position and inversions, using figured bass to describe and realize hamonic context against the bass.
8. Recognize and build diatonic triads in close and open voicing.
9. Introduce the diatonic tetrachord through the typical diatonic use of the V7 function and vii-diminished function.
10. Use Roman Numeral analysis to describe functional harmony and standard chord symbols to describe chord structures in musical examples.
11. Recognize chords within various musical textures.
12. Analyze and compose two-voice, first species counterpoint
13. Analyze and identify non-chord tones.
14. Analyze and name standard harmonic cadences and periodic phrase structures. Course Outline: I. Pitch Reading and Notation
II. Intervals
III. Scales and Key Signatures
IV. Rythm and Meter Signatures
V. First-Species Counterpoint
VI. Diatonid Triads, Voicings, and Inversions
VII. Functional Harmony and Roman Numeral Analysis
VIII. Diatonic Tetrachords
IX. Non Chord Tones
X. Harmonic Analysis in various textures.
XI. Harmonic Cadences
XII. Phrase Analysis Approved for Online and Hybrid Delivery?: No Instructional Strategies: Lecture: 15-20%
Facilitated discussion: 50-60%
Mediated instruction (video, computer, etc.): 15-20%
Group work: 5-10% Mandatory Course Components: Final Exam Equivalent Courses: None Accepted GRCC Advanced Placement (AP) Exam Credit: Music Theory AP Min. Score: 3 Name of Industry Recognize Credentials: None
Course prepares students to seek the following external certification: No Course-Specific Placement Test: None Course Aligned with ARW/IRW Pairing: IRW 99 Mandatory Department Assessment Measures: None Course Type: Program Requirement- Offering designed to meet the learning needs of students in a specific GRCC program. Course Format: Lecture - 1:1 Total Lecture Hours Per Week: 3 People Soft Course ID Number: 100252 Course CIP Code: 50.09 Maximum Course Enrollment: 20 General Room Request: Music Theory Classroom High School Articulation Agreements exist?: No If yes, with which high schools?: NA Non-Credit GRCC Articulation Agreement With What Area: No Identify the Non Credit Programs this Course is Accepted: NA
School: School of Liberal Arts Department: Music Discipline: MUS First Term Valid: Fall 2019 (8/1/2019) 1st Catalog Year: 2019-2020 Faculty Credential Requirements: 18 graduate credit hours in discipline being taught (HLC Requirement), Master’s Degree (GRCC general requirement) Faculty Credential Requirement Details: The instructor should have a minimum of a Master’s Degree in music with a strong music theory background. Major Course Revisions: N/A Last Revision Date Effective: 20240227T11:10:21 Course Review & Revision Year: 2028-2029
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